Diwali is a time for new movies in India. Two big budget movies this time decided to go for huge spending on marketing. OSO and Sawariya together spent over Rs. 10 crores on marketing, swamping the media. Money was clearly spent on public relations rather than overt advertisements. “King Khan” was all over the place: watching cricket, dancing with cricket stars, doing shows, and being in any place that attracts public attention. Even if OSO were not mentioned overtly in some of these, his mere presence brings advertisement to the movie.
PR worked wonders for these movies and the Hindi movie industry this diwali was reduced to “Sawariya Vs. OSO”. A series of glittery events were organised in the run up to the two releases, and the two producers did everything to make the public forget that other movies are in the fray – effectively. All English news channels carried an overdose of these and Headlines Today sold themselves out to this PR ploy. The growing Americanisation of Indian movie market looks terrible for the future of good Indian movies. Not surprisingly, a Hollywood company produced Sawariya.
There are other signs of Americanisation of Indian movie industry that are worrying. Small theatres with reasonable pricing are now being replaced by “multiplexes” that are a lot costlier. Some movie chains are fast coming up. When they gain market power, they are likely to insist on movies that spend big on advertising – reducing the room for small budget movies even more. It is said that with the evolution of such theatres in the US, viewership of foreign movies reduced dramatically – simply because many of these could not afford the ad budgets and thus did not find a space in “happening” movie halls.
In a recent talk at Madras, Amol Palekar rued how Hindi cinema is going the Hollywood way – big in technique and empty in content. Supporters say that such movies reflect demand. What they fail to ask is, what does demand reflect? It is undeniable that huge spending and visibility that these movies generate keep these movies in public consciousness. They shut out information about smaller movies – that may sometimes be better. Good ideas for small budget movies will find fewer takers since ‘smallness’ itself becomes a market risk, and bigger a movie gets the more formulaic it will become. Movies with established stars will swamp the media with growing PR touch, making small budget less known actors a risky business.
These trends are not new but are bound to become more acute with the growing dominance of electronic media and public relations. With Hindi movies getting worse, I guess I will have to depend on other regional movies in India – and perhaps look to Iran to produce good movies.
You may also be interested in:
- List of Indian movies for my non-Indian friends This list consists of some formulaic movies and some that are innovative. I am working on the list and hope to build it over time....
- Moving beyond the formula: Bold new Indian movies The last few years have seen some dazzling movies that have boldly departed from the mainstream. A movie historian in Tamil Nadu once said (perhaps...
- List of great movies: India and international (brief reviews) Here is your window to some of the best movies in the world, in my perspective. The following ratings are not by a trained movie...
- Gangajal Hindi Movie with Ajay Devagan:Old plot, new refinement Ganga Jal IMDB Link Year: 2003 Writer: Prakash Jha Director: Prakash Jha Length: 150 Category: Drama Rating: 4 out of 5 Though it is based...
- Introdução aos cinema Indiano O India produz mais filmes que todos outros país do mundo… …Muito mais. Tal vez tu sei que há muitas linguas na India. Muitos disso...
Related posts brought to you by Yet Another Related Posts Plugin.
